Features the work of three artists—Lorena Angulo, Jorge Manilla, and Georgina Treviño—who use nonprecious materials to explore their Mexican heritage.

RAM is honoring Watercolor Wisconsin—and Wustum’s commitment to supporting the media and regional artists—with an exhibition of works purchased from the shows that became part of RAM’s permanent collection.

This exhibition debuts recent gifts of art to wear—wearable clothing that is produced in unique or limited editions, is primarily handmade, and reflects a particular aesthetic style.

Pieces in this exhibition are more sculptural and concept-oriented than they are functional—addressing notions of wearability and the body as site.

Wisconsin Photography is a statewide competition organized by RAM’s Wustum Museum since 1979.

A companion exhibition to Go for Baroque, this exhibition explores our innate fascination with things that glisten and plays with notions of preciousness and material value.

RAM goes “glam" with exhibitions featuring artists who explore the decorative and excessive as well as things that gleam and shine.

The work of Mark Adams and Frank Lobdell may not be similar in terms of subject matter, but they share a desire to explore color.

Even in a culture that seems more and more digitally-oriented, the exhibition highlights how paper remains a material that is pervasive.

While many contemporary artists use color as a principal element, this exhibition focuses on it as a defining principle in form and design for work that is not figurative

Art dealer Byron Roche—former owner of Chicago’s Roche gallery—and Scott Ashley—artist and associate director of Perimeter Gallery, Inc. in Chicago—selected the 116 works by 93 Wisconsin artists in this year's exhibition.

Highlights functional artworks from Racine Art Museum's collection that could be used for everyday rituals such as drinking and eating.

A collection of a wide range of furniture and objects, this exhibition reflects regional artists applying their individual styles and personal interests to this often-discarded wood.

The exhibition underscores the ability some artists have to decontextualize the marginalized or overlooked, and to imbue the ordinary with something extraordinary.

The second biennial RAM Artist Fellowship Exhibition—presented by the Osborne and Scekic Family Foundation—featuring the work of Lisa Marie Barber, Diane Levesque, Bill Reid, and Jim Sincock.

This exhibition, featuring Milwaukee-born artist Joan Backes, marries the natural color, shape, and pattern of leaves and branches with human interference.

This exhibition celebrates a gift of 65 glass pieces, donated by Los Angeles area collectors Daniel Greenberg and Susan Steinhauser.

This exhibition includes the work of familial artists—couples, parents and children, or siblings—drawn primarily from RAM’s collection, and with a concentration of collaborative ceramic work borrowed from emerging artists, twin brothers Kelly and Kyle Phelps.

Featuring work with phenomena that may be floating, transforming, or imprecise—as if somehow moving through another dimension.