Ashoona Ir2022.1197 Summer Tent Of Old Photo Jarvis Lawson
Pitseolak Ashoona
Summer Tent of Old, 1969
Color stone cut, edition 6/50
24 x 36 1/2 inches
Racine Art Museum, Gift of Devra Miller Breslow
Photography: Jarvis Lawson

RAM Showcase: Kinngait Prints

June 12 – August 10, 2024
at RAM’s Wustum Museum

While certain forms of image-making were practiced historically in the region, printmaking was not introduced to Kinngait (formerly known as Cape Dorset) in Arctic Canada until the 1950s. With purchases being made from cooperatives or artists directly, printmaking as a creative practice has become a primary economic stream for multiple generations of Inuit artists over the last few decades.

Most often experimenting with the printing techniques of etching, engraving, lithography, and silkscreen, the Kinngait artists tend to favor subjects and imagery that address the natural world, story-telling, and myths. This direction in subject matter echoes the content of other Kinngait art practices such as carving and drawing. Contemporary Inuit artists expand upon these traditions with work that embraces the past but might also raise critical questions about identity, social and cultural dynamics, and politics.

Home to North America’s largest contemporary craft collection, RAM also has an extensive collection of works on paper that includes fifteen prints from Kinngait artists and a limited edition book featuring works by one of the most prominent printmakers, Kenoujak Ashevak. This exhibition is a sampling of RAM’s current holdings in this area—Kinngait works are being incorporated into other museum programs such as theme exhibitions and social media as well.

The presence of this work in RAM’s collection is invaluable as it reflects an important arena for diverse voices in contemporary printmaking. And it introduces, most likely, new artists into the vocabulary of RAM and Wustum visitors. RAM strives to increase its holdings by contemporary Indigenous makers to showcase these creative visions and help preserve them for future appreciation and consideration.

Artists in the Exhibition

Kenoujak Ashevak, Pitseolak Ashoona, Etidlooie Kingmeata, Kananginak Pootoogook, and Keeleemeeoomee Samualie

RAM Showcase: Kinngait Prints

June 12 – August 10, 2024
at RAM’s Wustum Museum
Ashoona Ir2022.1197 Summer Tent Of Old Photo Jarvis Lawson
Pitseolak Ashoona
Summer Tent of Old, 1969
Color stone cut, edition 6/50
24 x 36 1/2 inches
Racine Art Museum, Gift of Devra Miller Breslow
Photography: Jarvis Lawson

While certain forms of image-making were practiced historically in the region, printmaking was not introduced to Kinngait (formerly known as Cape Dorset) in Arctic Canada until the 1950s. With purchases being made from cooperatives or artists directly, printmaking as a creative practice has become a primary economic stream for multiple generations of Inuit artists over the last few decades.

Most often experimenting with the printing techniques of etching, engraving, lithography, and silkscreen, the Kinngait artists tend to favor subjects and imagery that address the natural world, story-telling, and myths. This direction in subject matter echoes the content of other Kinngait art practices such as carving and drawing. Contemporary Inuit artists expand upon these traditions with work that embraces the past but might also raise critical questions about identity, social and cultural dynamics, and politics.

Home to North America’s largest contemporary craft collection, RAM also has an extensive collection of works on paper that includes fifteen prints from Kinngait artists and a limited edition book featuring works by one of the most prominent printmakers, Kenoujak Ashevak. This exhibition is a sampling of RAM’s current holdings in this area—Kinngait works are being incorporated into other museum programs such as theme exhibitions and social media as well.

The presence of this work in RAM’s collection is invaluable as it reflects an important arena for diverse voices in contemporary printmaking. And it introduces, most likely, new artists into the vocabulary of RAM and Wustum visitors. RAM strives to increase its holdings by contemporary Indigenous makers to showcase these creative visions and help preserve them for future appreciation and consideration.

Artists in the Exhibition

Kenoujak Ashevak, Pitseolak Ashoona, Etidlooie Kingmeata, Kananginak Pootoogook, and Keeleemeeoomee Samualie

Installation View

Exhibitions at RAM are made possible by:

Platinum Sponsors

The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Nicholas and Nancy Kurten
Racine Community Foundation logo
Barbara Waldman
Windgate Foundation

Diamond Sponsors

City of Racine’s Grow Racine Grant
Ruffo Family Foundation
Ruth Arts Foundation

Gold Sponsors

Anonymous
Tom and Irene Creecy
Richard and Patricia Ehlert
Osborne and Scekic Family Foundation
Reliance Controls Community Fund
Trio Foundation of St. Louis
W.T. Walker Group, Inc.

Wisconsin Arts Board 50th Anniversary Logo

Silver Sponsors

Anonymous
Baird
Beta Diagnostic Labs
A.C. Buhler Family
Lucy G. Feller
Ben and Dawn Flegel
Jim Harris
Sharon and Tom Harty
Horizon Retail Construction, Inc.
Johnson Financial Group
Dorothy MacVicar
Jan Serr and John Shannon

Bronze Sponsors

Ellen and Joseph Albrecht
Susan Boland
Dave’s Wine Garage
Educators Credit Union
Express Employment Professionals
Bill and Debbie Keland
Susan Manalli
Jean and Alex Mandli, Jr.
Norbell Foundation
Cathy Stanghellini
Twin Disc

Media Sponsor

Radio Milwaukee logo

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