
Rosy Petri
Asase Yaa, 2020
Cotton and dyed cotton thread
48 x 36 x 3/4 inches
Racine Art Museum, Courtesy of the Artist
Photography: Courtesy of the Artist
In Stitches: Contemporary Approaches to Needlework
September 23, 2020 – May 8, 2021
For some, needlework and other fiber-related techniques are pastimes, while for others, they are used for professions. For still more, these practices are employed to depict ideas. The contemporary artists whose works are included in this exhibition prioritize these processes and use handcraft techniques like embroidery, sewing, crocheting, and quilting to explore a wide range of subjects. They investigate labor, gender, memory, and history, and popular culture as well as personal or social issues.
Primarily drawn from RAM’s collection, the works featured in this exhibition demonstrate contemporary methods of working with materials such as fabric, thread, yarn, and embroidery floss through the use of needles, hooks, or hands. Works on loan from Milwaukee area artists Sharon Kerry-Harlan, Rosemary Ollison, and Rosy Petri expand this conversation even further. Incorporating African influences, Kerry-Harlan uses textiles, as well as other media, to explore the potential metaphors and meanings of the human face and figure. Ollison collects glass, leather, bracelets, beads, bones, and jewelry that she then incorporates into all manner of works, including quilts. Interested in personal and cultural heritage, and often linking her work to her African roots, Petri uses traditional quilting techniques to create contemporary portraits.
Diverse examples shown next to one another offer opportunities for comparison and contrast. Large-scale quilts using found linens are shown alongside small-scale photo-realistic embroideries, crocheted earrings, and stitched baskets. In whatever form, these works reflect how handcraft traditions can be incorporated—and expanded upon—to make creative, aesthetic, thoughtful, symbolic and practical statements.
More About the Exhibition
Additional information about featured artists, Sharon Kerry-Harlan, Rosemary Ollison, and Rosy Petri:
Sharon Kerry-Harlan at Portrait Society Gallery
Sharon Kerry-Harlan on the Wisconsin Academy of Science, Arts & Letters
Artists in the Exhibition
James Acord, Jackie Abrams, Renie Breskin Adams, Mary Beth Baloga, Diane Banks, Linda Behar, Mary Bero, Michael Brennand-Wood, Sally Broadwell, Joyce Marquess Carey, Marcia Docter, Theodora Elston, Arline Fisch, Teri Greeves, Janet Haigh, David R. Harper, Marilyn Henrion, Cindy Hickok, Jan Hopkins, Diane Itter, Michael James, Cherry Barr Jerry, Rosita Johanson, Sharon Kerry-Harlan, Kay Khan, Ai Kijima, Anne Kingsbury, Lilla Kulka, Amy Lipshie, Dona Look, Tom Lundberg, Patricia Malarcher, Therese May, Norma Minkowitz, Ellen Moon, Diana Mott-Thornton, Charlene Nemec-Kessel, Mark Newport, Rosemary Ollison, Judith H. Perry, Rosy Petri, Lily Poran, Andrzej Rajch, Tom Rauschke, Gretchen Romey-Tanzer, Joan Schulze, Susan Shie, Carol Shinn, Barbara Lee Smith, Blanka Sperková, Missy Stevens, Barbara Stutman, Feileke van der Leest, Carol Warner, Katherine Westphal, Kaaren Wiken, Anne Wilson, and Claire Zeisler
In Stitches: Contemporary Approaches to Needlework
September 23, 2020 – May 8, 2021

Rosy Petri
Asase Yaa, 2020
Cotton and dyed cotton thread
48 x 36 x 3/4 inches
Racine Art Museum, Courtesy of the Artist
Photography: Courtesy of the Artist
For some, needlework and other fiber-related techniques are pastimes, while for others, they are used for professions. For still more, these practices are employed to depict ideas. The contemporary artists whose works are included in this exhibition prioritize these processes and use handcraft techniques like embroidery, sewing, crocheting, and quilting to explore a wide range of subjects. They investigate labor, gender, memory, and history, and popular culture as well as personal or social issues.
Primarily drawn from RAM’s collection, the works featured in this exhibition demonstrate contemporary methods of working with materials such as fabric, thread, yarn, and embroidery floss through the use of needles, hooks, or hands. Works on loan from Milwaukee area artists Sharon Kerry-Harlan, Rosemary Ollison, and Rosy Petri expand this conversation even further. Incorporating African influences, Kerry-Harlan uses textiles, as well as other media, to explore the potential metaphors and meanings of the human face and figure. Ollison collects glass, leather, bracelets, beads, bones, and jewelry that she then incorporates into all manner of works, including quilts. Interested in personal and cultural heritage, and often linking her work to her African roots, Petri uses traditional quilting techniques to create contemporary portraits.
Diverse examples shown next to one another offer opportunities for comparison and contrast. Large-scale quilts using found linens are shown alongside small-scale photo-realistic embroideries, crocheted earrings, and stitched baskets. In whatever form, these works reflect how handcraft traditions can be incorporated—and expanded upon—to make creative, aesthetic, thoughtful, symbolic and practical statements.
More About the Exhibition
Additional information about featured artists, Sharon Kerry-Harlan, Rosemary Ollison, and Rosy Petri:
Sharon Kerry-Harlan at Portrait Society Gallery
Sharon Kerry-Harlan on the Wisconsin Academy of Science, Arts & Letters
Artists in the Exhibition
James Acord, Jackie Abrams, Renie Breskin Adams, Mary Beth Baloga, Diane Banks, Linda Behar, Mary Bero, Michael Brennand-Wood, Sally Broadwell, Joyce Marquess Carey, Marcia Docter, Theodora Elston, Arline Fisch, Teri Greeves, Janet Haigh, David R. Harper, Marilyn Henrion, Cindy Hickok, Jan Hopkins, Diane Itter, Michael James, Cherry Barr Jerry, Rosita Johanson, Sharon Kerry-Harlan, Kay Khan, Ai Kijima, Anne Kingsbury, Lilla Kulka, Amy Lipshie, Dona Look, Tom Lundberg, Patricia Malarcher, Therese May, Norma Minkowitz, Ellen Moon, Diana Mott-Thornton, Charlene Nemec-Kessel, Mark Newport, Rosemary Ollison, Judith H. Perry, Rosy Petri, Lily Poran, Andrzej Rajch, Tom Rauschke, Gretchen Romey-Tanzer, Joan Schulze, Susan Shie, Carol Shinn, Barbara Lee Smith, Blanka Sperková, Missy Stevens, Barbara Stutman, Feileke van der Leest, Carol Warner, Katherine Westphal, Kaaren Wiken, Anne Wilson, and Claire Zeisler
Gallery of Work
Exhibitions at RAM are made possible by:
Platinum Partners
The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Windgate Foundation
Diamond Partners
Ruffo Family Foundation
Ruth Foundation for the Arts
Diane Zebell
Gold Partners
Anonymous
A.C. Buhler Family
Robert E. Kohler Jr. Fund
Osborne and Scekic Family Foundation
Reliance Controls
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Silver Partners
Anonymous
Sandy and Gus Antonneau
Baird
Lucy G. Feller
Ben and Dawn Flegel
Sharon and Tom Harty
Dave and Judy Hecker
Paula Kalke
Horizon Retail Construction, Inc.
Johnson Financial Group
Lang Family Foundation
Dorothy MacVicar
Jan Serr & John Shannon
Sandra Shove
Willard and Mary Walker
Bronze Partners
Carol Baylon
Rose and Peter Christensen
Dave’s Wine Garage
Educators Credit Union
Patricia and Richard Ehlert
Express Employment Professionals
Deborah Ganaway
Carol Griseto
Hitter’s Baseball
SC Johnson
Bill and Debbie Keland
Nancy and Nick Kurten
Susan Manalli
Norbell Foundation
JoAnna Poehlmann
Rasmussen Diamonds
Harold and Lois Solberg
Kathy Stranghellini
Tito’s
Twin Disc
Janna Waldeck
Barbara Waldman